The second shot shows our main character walking towards her house, leaving the ferrari behind with the core theme playing in the background. Helena is wearing a red dress, highlighting her beauty and the sex-factor where as the ferrari and the big house that are both controlled by her, show another side to her, the powerful one. Her character serves as eye candy and also as active protagonist at the same time. These two elements are juxtaposed to each other and reveal at a early stage that the character is vulnerable.
The third shot and the fourth shot establish the main character's relationship status. The close-up of her ring in shot 3 established that she is married and the family portrait in shot 4 reveals the actual face of her husband and the age difference, hinting at her possibly being a Gold-Digger, a woman who marries older men for their wealth and social status. Although this comforms the usual stereotype of a gold-digging woman, the phone conversation between her and "Teddy-Darling" revealts that she in no way answers to him but in fact stands up to him and loudly expresses her opinion subverting the general stereotype of a submissive wife.
The fifth shot contains of someone looking in from outside, creating a typical thriller vibe as an atmosphere of "Not being alone" is created. Up to that point, the viewer does not know that there is another person in the house which at this point, is hinted at for the first time. As the viewer is not yet aware who the unknown person watching is, a rather creepy and atmosphere is created as it is not clear what intentions the person has.
The sixth and the seventh shot are taken from the shower sequence. The sixth shot
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